As Seen is a series of publications that review the work of Chinese artists as presented in public museums and galleries in China. As S een is not exhaustive, but it is the result of extensive exhibition-going. With particular focus on the achievements of young artists, As Seen 2 continues to track the pulse of the times as it underscores artistic content and form. ...............(展开全部)

As Seen is a series of publications that review the work of Chinese artists as presented in public museums and galleries in China. As S een is not exhaustive, but it is the result of extensive exhibition-going. With particular focus on the achievements of young artists, As Seen 2 continues to track the pulse of the times as it underscores artistic content and form. ...............(展开全部)

Reprinted for the first time since its original publication twenty years ago, The Face of China is an evocative and candid collection of some of the first photographs made in that country. Along with descriptive captions, these images describe the daily life and surroundings of an era now passed. The people are as seen through Western eyes, and the places are as traversed by...(展开全部)

With the explosive growth in the art world in China, the volume of exhibitions has expanded from a handful to thousands. Each year China’s galleries, private and public museums, and art centres together exhibit hundreds of thousands of individual artworks. But how many of them are any good? How many should find their way into a collection, into a museum; into history? As Seen p...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)